I've been reading the new book by Temple Grandin, "Animals in Translation." Grandin is interesting because she is autistic and has enough language and ability to generalize to talk about what it is like to be autistic. My daughter Bevin is not autistic. She belongs to that broad spectdum of disabilities that autistic belongs to, however. And I learn more about her when I read about autism than anything else. Autism is diagnosed on a spectrum--it's like you get points and so many points add up to autism, a few less to autiistic like, and a few less--you have my daughter. Little language. Profoundly out of it.
Grandin is a gift because she can talk about what it is like to be inside a mind that must be something like my daughter's. As she talks about her experiences, I often feel a sense of recognition.
One thing that she focuses on is the way that she thinks in pictures. That she doesn't have memory or thought stored away in language. She has that memory, that experience, that wisdom stored away in pictures.
An instance yesterday that reminds me how profoundly--and weirdly--visual my daughter is. (My fondly named "Idiot Girl"--the source of my name.)
I took her driving yesterday. Left to sit at home, she'll either cover her head with a blanket and sleep. Or roam the house, clearing off surfaces, stuffing things in closets, beg for soda. Driving, she is amazingly engaged. She looks around, at the cars, at the scenery. And she will not fall asleep. It doesn't matter how far or how long you drive.
But to the incident of yesterday. And to the visual memory. We were driving yesterday. And we stopped for lunch at Inn N Out Burger--a popular chain in California. I set us up at a counter with high chairs and a view out onto people waiting for their burgers. She thought it was great fun. We ate our burgers, fries, and she took her drink along. When we returned that evening we went out for a drive to visit friends with my husband and his son. They decided to stop for a burger at an Inn N Out Burger. All of these chains are set up in exactly the same way. Bevin trounced in with great confidence (she is great for ritual, repeated experience). Before I realized what was happening, she recognized her chair--the second chair from the right in the middle bar with the high chairs. She threw her self into the chair with great gusto. And greated the three teenage boys sitting in the remaining 3 chairs (of the four) in the group. "Hi," she smiled.
She had remembered her place, the pattern. The three teenage boys were beside the point. This was her place, her chair. The place she gets good food and has great fun.
"'The cocks did crow to-whoo, to-whoo, And the sun did shine so cold!' --Thus answered Johnny in his glory, And that was all his travel's story." From William Wordsworth's Idiot Boy, 1798
Thursday, December 30, 2004
Monday, December 27, 2004
Mr. Deeds goes to the Blue City
Last night my husband and I watched the Gary Cooper movie, "Mr Deeds Goes to the City" (is that the title?). Mid-way through the movie my husband commented, "This movie has a lot to say about the world today. Red states and blue states. The urban, the blue. Elitist, without heart." I lost it. "You've always lived in a city. You've never lived in a rural area in your life! Does that mean, you're blue." I was furious. He had turned this lovely movie into a tale about who voted for George Bush.
I shouldn't have screamed at him. That doesn't help. But this alarms me. My husband is semi-retired. Works out of our house in California (that's another story). He has a great deal of time he can use as he will. He spends hours each day listening to conservative talk radio--Rush Limbaugh in the morning, Michael Medved in the afternoon. And later in the day the likes of Michael Savage and others. He watches Fox News. And he reads books that tell about the elitist bias of the news, books written by the likes of Ann Coulter. Listening to his comments on the movie, made me think about the world he is inhabiting these days. It is so polarized: red and blue, democrat and republican, conservative and liberal. There is a moral struggle that falls along these lines. The good and the bad, the moral and the not moral, the duped and the wise.
I could definitely see a moral for our age in the Gary Cooper movie. But I don't see things falling out along these smooth, easy lines. And it is disturbing, alarming to see my husband stuffing the world into these categories. He is a kind and good man. An odd duck I love. He escaped Vietnam as a conscientious objector.
I wonder how many others live in this either/or kind of world. I hope not so many.
By the way, I've let the flag fly over my house over the past year. I make what I will of symbols. I love America. It's my flag too. I won't let him make the meaning of that.
I shouldn't have screamed at him. That doesn't help. But this alarms me. My husband is semi-retired. Works out of our house in California (that's another story). He has a great deal of time he can use as he will. He spends hours each day listening to conservative talk radio--Rush Limbaugh in the morning, Michael Medved in the afternoon. And later in the day the likes of Michael Savage and others. He watches Fox News. And he reads books that tell about the elitist bias of the news, books written by the likes of Ann Coulter. Listening to his comments on the movie, made me think about the world he is inhabiting these days. It is so polarized: red and blue, democrat and republican, conservative and liberal. There is a moral struggle that falls along these lines. The good and the bad, the moral and the not moral, the duped and the wise.
I could definitely see a moral for our age in the Gary Cooper movie. But I don't see things falling out along these smooth, easy lines. And it is disturbing, alarming to see my husband stuffing the world into these categories. He is a kind and good man. An odd duck I love. He escaped Vietnam as a conscientious objector.
I wonder how many others live in this either/or kind of world. I hope not so many.
By the way, I've let the flag fly over my house over the past year. I make what I will of symbols. I love America. It's my flag too. I won't let him make the meaning of that.
Monday, December 20, 2004
I listen to audiobooks. I started this when I had a 140 mile-3-hour commute every weekend. It kept me awake while music put me to sleep. Just enough engagement of the mind to fight off exhaustion from the week and sleepiness. Last year I asked for an iPod for Christmas. And that device and Audible.com have been my friends for the past year. Now I can listen to audiobooks without fighting with multiple cds or tapes and finding a place to store all the boxes. I still read. But this extends my ability to read.With my iPod, I broadcast books through all the radios in the house. So I can "read" while I clean or cook or just sit in front of the fireplace and watch the fire. I can listen in the car. I can listen while I walk around Greenlake (yes, I do live in Seattle).
It's luxurious to be read to. It slows the experience down. I read too quickly. And I cheat. I skim. I skip backward, I skip forward. This way I must concentrate and be in the moment with the story. With a very good reader, it is a wonderful experience. And with a good book, a bad reader is tolerable.
My best listen of the past few months. Rohinton's Mistry's "A Fine Balance." Devastating. Hopeful for people, if not for society. I recently listened to his second novel, "Family Matters." More later.
It's luxurious to be read to. It slows the experience down. I read too quickly. And I cheat. I skim. I skip backward, I skip forward. This way I must concentrate and be in the moment with the story. With a very good reader, it is a wonderful experience. And with a good book, a bad reader is tolerable.
My best listen of the past few months. Rohinton's Mistry's "A Fine Balance." Devastating. Hopeful for people, if not for society. I recently listened to his second novel, "Family Matters." More later.
Monday, August 30, 2004
It's been a long time. I had forgotten I did this. I navigate most evenings to my son's blog. It's pretty entertaining--and impressive. He and his friends are mostly lawyers, very opinionated, and very verbal. I like the fact that he has a good sense of shape for what he writes, and mostly he understands that more is less in a good essay. I'm impressed by blogs that have a public shape and a bit of thought to them. Not that impressed by blogs that sound like journals, personal musings that don't face externally, don't have a sense of audience. So what is this? Not entirely sure. I'm so caught between multiple worlds. I often think it's a good place to see things. But I don't seem to have the patience to write, to stick to something long enough to explore in depth and shape what I have to say. I flit from thing to thing.
Tuesday, October 14, 2003
I have a soft spot for Wordworth's poem the Idiot Boy. That's where my blog ultimately finds it name. In a roundabout way to be sure. Early in my graduate school career I wrote a paper on Wordsworth's poem that I liked a lot--and it was pleasant that my professor liked it too. That paper ended up getting me into a surprising amount of trouble. I chose to read the paper at a professional conference in a Wordsworth session rather than another paper I had written on a woman writer named Ivy Compton-Burnett in a session on feminist writing. That decision was read as anti-woman by some of my graduate school peers, and that was the beginning of my own private version of culture wars. I felt my reading of Wordsworth was as critically sophisticated and as "feminist" as my reading of the woman writer. But of course that opens up a whole other story. Just another lesson in how easy it is to end up on the outside.
A good part of why the term and the poem has such deep meaning to me, why it was the sentimental favorite in my choice that fall, has to do with my own "Idiot Girl," my last daughter. She is now in her early twenties and still understands the world much as she did when she was one or two. She just came to visit me for the week--so this is in celebration of my own beloved Idiot Girl in Seattle.
A good part of why the term and the poem has such deep meaning to me, why it was the sentimental favorite in my choice that fall, has to do with my own "Idiot Girl," my last daughter. She is now in her early twenties and still understands the world much as she did when she was one or two. She just came to visit me for the week--so this is in celebration of my own beloved Idiot Girl in Seattle.
Friday, October 10, 2003
My husband recently posted an American flag on our front porch. Quite a few things you need to know about that flag. First of all, he didn't ask me if I wanted it there. Second, I have a house in Seattle and my husband has a house in Sacramento. That we have two houses certainly isn't an accident. Almost six years ago we were separated. A favorite thing I like to say (and it's pretty much true) separation saved our marriage. I got a job. I got my own place at a distance of 140 miles plus from Sacramento. And I decided, for better or worst, that I love him and would stay married. I often revisit that decision. But I made that decision. And at least for the time being, I have no interest in going there again. I'd rather spend the energy making my peace with that decision.
So the point. We survive to this day because there is distance. At one point the distance was the 140 miles between Sacramento and San Jose. For almost two years now it's been the distance between Sacramento and Seattle. And that's been for the better from my point of view. I have enough distance to win some distance, think about things a bit, and survive.
The flag in a way signals the very complex patterns of that survival. The flag is there because he's here in Seattle and I don't want to fight. The flag is definitely a statement. If I fight against the flag, it really is war, for us. I'm still thinking about the flag. And frankly waiting for him to leave so I can probably take it down--though I haven't totally decided yet. That flag does "flag" a new tear in our relationship. Here's what happened.
I can't even remember what started the struggle. But I said something about my frustration with the whole discussion about "patriotism," flagging someone as an enemy because of criticism about America. My husband is very much in the middle of the conservative talk radio scene. And I have to say little before he's angry at me. It's always a little difficult to figure out why, to figure out what I've done. That's the way I feel about this particular discussion. It's out there in something of a blur. Not sure what I said. But it was enough to start the free associational slide that leads him to a sense of high anxiety, frustration, fear. About America, about it's danger from socialism, about all the things that threaten freedom, life as it is now. I can't even make sense of this. But it makes him crazy. And before I could do anything about the slide, he was there. . . . Where I'm the threat, the enemy. And in that place he says things I can never quite forget or forgive. And this time he was going on about how he shouldn't associate with someone with such dangerous ideas. He should catch a plane a fly back to Sacramento. I cried. Mourned yet again my wishes, my hopes, my disappointments. And of course he didn't leave.
What he did do is buy a flag. And while I was away from the Seattle house, he put the flag there. It wasn't worth a question about why, what it means, the agression of putting it there in the wake of those words to me. But it's been flagging there for almost two weeks now. Us not talking about it. He'll be on his way to Sacramento again next week. And then I'll need to decide what I do with the flag.
Again, I find myself painfully in a place by myself. I'm very uncomfortable with what that flag means to him. I don't like that, and there's a great deal of anger in me that will come out in the vicinity of that flag.
But I'm also thinking of a conversation I had with a friend back last winter. The sense that the flag means something bad. How can that be? That seems really negative. It's like my husband hating to go to coffee houses because negative people go there. Being frustrated with listening to a favorite musicians because suddenly he's favorite with the "unwashed." How can I refuse to love the flag, love my country because it means something particular to the left, something particular to my husband. Where do I stand. Am I intimidated by his anger, his judgment, the negative things that happen between us because I refuse the either/or (that's a whole other discussion)? Or am I intimated by the man across the street with his Impeach Bush sign in the window. I'm so alienated by both.
So what do I do with that flag??
So the point. We survive to this day because there is distance. At one point the distance was the 140 miles between Sacramento and San Jose. For almost two years now it's been the distance between Sacramento and Seattle. And that's been for the better from my point of view. I have enough distance to win some distance, think about things a bit, and survive.
The flag in a way signals the very complex patterns of that survival. The flag is there because he's here in Seattle and I don't want to fight. The flag is definitely a statement. If I fight against the flag, it really is war, for us. I'm still thinking about the flag. And frankly waiting for him to leave so I can probably take it down--though I haven't totally decided yet. That flag does "flag" a new tear in our relationship. Here's what happened.
I can't even remember what started the struggle. But I said something about my frustration with the whole discussion about "patriotism," flagging someone as an enemy because of criticism about America. My husband is very much in the middle of the conservative talk radio scene. And I have to say little before he's angry at me. It's always a little difficult to figure out why, to figure out what I've done. That's the way I feel about this particular discussion. It's out there in something of a blur. Not sure what I said. But it was enough to start the free associational slide that leads him to a sense of high anxiety, frustration, fear. About America, about it's danger from socialism, about all the things that threaten freedom, life as it is now. I can't even make sense of this. But it makes him crazy. And before I could do anything about the slide, he was there. . . . Where I'm the threat, the enemy. And in that place he says things I can never quite forget or forgive. And this time he was going on about how he shouldn't associate with someone with such dangerous ideas. He should catch a plane a fly back to Sacramento. I cried. Mourned yet again my wishes, my hopes, my disappointments. And of course he didn't leave.
What he did do is buy a flag. And while I was away from the Seattle house, he put the flag there. It wasn't worth a question about why, what it means, the agression of putting it there in the wake of those words to me. But it's been flagging there for almost two weeks now. Us not talking about it. He'll be on his way to Sacramento again next week. And then I'll need to decide what I do with the flag.
Again, I find myself painfully in a place by myself. I'm very uncomfortable with what that flag means to him. I don't like that, and there's a great deal of anger in me that will come out in the vicinity of that flag.
But I'm also thinking of a conversation I had with a friend back last winter. The sense that the flag means something bad. How can that be? That seems really negative. It's like my husband hating to go to coffee houses because negative people go there. Being frustrated with listening to a favorite musicians because suddenly he's favorite with the "unwashed." How can I refuse to love the flag, love my country because it means something particular to the left, something particular to my husband. Where do I stand. Am I intimidated by his anger, his judgment, the negative things that happen between us because I refuse the either/or (that's a whole other discussion)? Or am I intimated by the man across the street with his Impeach Bush sign in the window. I'm so alienated by both.
So what do I do with that flag??
Still struggling with the war, obviously.
But now I'm trying to go back to a previous place--and move forward. I have five weeks off from my technology (software job). I'm using it to go back and do excavation of a previous life. That was where I did historical research and was an "all but dissertation" graduate student. I'm reading, writing, trying to get back to where I can do work on this. I'll feel very sad if I come to my old age or my death and have nothing more than a software manual to show for it. Even a photoshop software manual. . . .
But now I'm trying to go back to a previous place--and move forward. I have five weeks off from my technology (software job). I'm using it to go back and do excavation of a previous life. That was where I did historical research and was an "all but dissertation" graduate student. I'm reading, writing, trying to get back to where I can do work on this. I'll feel very sad if I come to my old age or my death and have nothing more than a software manual to show for it. Even a photoshop software manual. . . .
Saturday, March 15, 2003
I'm struggling with the war. Yet again I feel out of sync. I missed the upheaval of the Vietnam era, despite the fact I was in college. Well actually because I was in college--at Brigham Young University in Provo, Utah. The Vietnam war mostly missed Provo. No political discussions. No protests. No discussion that really touched me. But all the young men I knew quietly trying to avoid the draft.
I encountered the Vietnam era protests in the spring of 1970 at the University of Washington campus. I went there with my soon to be husband who was soon to be a graduate student in Seattle. We arrived in the midst of huge protests; the campus was full of students and many of the buildings had been shut down. I was afraid, but excited.
We married that summer and moved to Seattle and I encountered the sixties--at a safe distance and late enough to keep my head in that city. Co-ops and community gardens and social awareness and dreams of living off the land and living together in a community of the like minded and listening to Watergate on the radio day after day. And finally feeling vindicated for what I had felt in my gut day after day listening.
Now I'm back in Seattle after 30 years. And the protests are happening again. And I'm on the outside again--this time more from choice than accident. The peace movement is ignoring too many difficult issues for me to feel comfortable there. But I don't have any trust of Bush and his gang. What a mess.
I encountered the Vietnam era protests in the spring of 1970 at the University of Washington campus. I went there with my soon to be husband who was soon to be a graduate student in Seattle. We arrived in the midst of huge protests; the campus was full of students and many of the buildings had been shut down. I was afraid, but excited.
We married that summer and moved to Seattle and I encountered the sixties--at a safe distance and late enough to keep my head in that city. Co-ops and community gardens and social awareness and dreams of living off the land and living together in a community of the like minded and listening to Watergate on the radio day after day. And finally feeling vindicated for what I had felt in my gut day after day listening.
Now I'm back in Seattle after 30 years. And the protests are happening again. And I'm on the outside again--this time more from choice than accident. The peace movement is ignoring too many difficult issues for me to feel comfortable there. But I don't have any trust of Bush and his gang. What a mess.
Sunday, January 26, 2003
So I'll give this a try. I've kept a journal pretty much since the fourth or fifth grade. But a journal is private. I'm curious what happens when you post to the world. (Even if no one is reading.)
I've taken the name Idiot Girl in homage to Wordsworth's poem the "Idiot Boy." From my view, Wordsworth's Idiot Boy tells the story of a poet or story-teller. I love stories. I am now in Seattle--deep in the heart of the technology revolution. I'm in my mid-fifties and started in Idaho--in potatoe farming country. My story has a few jigs and jags from Idaho to Utah to California to Washington. One thing I know, I've been on the cusp of lots of change. The woman's movement, I caught it just late enough to cause lots of complications in my life. I've had a number of lives one after another: farm worker, house wife, magazine and book editor, academic, writer/historian, and now creater of instructional content for software Help and Web sites.
We'll see if writing this way is anything very real.
I've taken the name Idiot Girl in homage to Wordsworth's poem the "Idiot Boy." From my view, Wordsworth's Idiot Boy tells the story of a poet or story-teller. I love stories. I am now in Seattle--deep in the heart of the technology revolution. I'm in my mid-fifties and started in Idaho--in potatoe farming country. My story has a few jigs and jags from Idaho to Utah to California to Washington. One thing I know, I've been on the cusp of lots of change. The woman's movement, I caught it just late enough to cause lots of complications in my life. I've had a number of lives one after another: farm worker, house wife, magazine and book editor, academic, writer/historian, and now creater of instructional content for software Help and Web sites.
We'll see if writing this way is anything very real.
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