Here are photo’s of last week. Spent on the Olympic Peninsula. Rialto Beach, the river, Hoh Rain Forest, La Push. Washington is a wonderful place. Played backwards I believe. A little narrative chaos for good measure.
Tuesday, July 07, 2009
Thursday, June 25, 2009
Daddy's Toupe(e)
These are pictures of my dad.
Notice the hair. By the time all of these pictures were taken, my dad was completely bald (a little fringe around the nether edges). He lost his hair on his mission. This means that by his early twenties he had no hair to speak of. Legend has it that as a young man he had an amazing head of hair--auburn hair. This was important to me because I was known as a young person as the “red head.”
But by the time he returned from his mission, courted my mother (another wonderful story), he had no hair. In the late twenties, early thirties of the last century, that was definitely not cool. So until well into my childhood, my dad wore a toupe(e)--sort of.
My dad was a farmer, a laborer. He worked in the fields, worked with his hands. He completed high school, but then went to work. So during the work week my dad was a bald man. On Sunday and for special occasions (like pictures), my dad had a head of hair.
I well remember Sunday mornings growing up. My family getting ready to go to church. For Daddy that meant taking the toupe(e) out of the box. I remember that he would cut tiny pieces of white adhesive tape, loop them, set them on the oil stove we had (no furnace at that point) to warm. And the toupe(e) would sit there as well--to warm. He’d pluck the loops from the stove, arrange them on the inside of the hairpiece, and plunk it on his head. On for morning services. Off for lunch and the afternoon. On again for evening services.
Or for funerals, special occasions. On. A fashion accouterment as I think of it now. Like a hat. And for years, lots of real actual hats during the week (I should post another slideshow of my daddy with hats in his early years).
By the time I was in late childhood, my teens, the Sunday ritual was gone. My daddy was a very bald man. Grey hair with blackish highlights (I never saw the red). A tie and a suit on Sunday--that was the end of the dress up.
Those images of the loops of white adhesive tape on the stove in the living room on a Sunday morning. And the toupe by the side of those loops. An image in a child’s memory.
Notice the hair. By the time all of these pictures were taken, my dad was completely bald (a little fringe around the nether edges). He lost his hair on his mission. This means that by his early twenties he had no hair to speak of. Legend has it that as a young man he had an amazing head of hair--auburn hair. This was important to me because I was known as a young person as the “red head.”
But by the time he returned from his mission, courted my mother (another wonderful story), he had no hair. In the late twenties, early thirties of the last century, that was definitely not cool. So until well into my childhood, my dad wore a toupe(e)--sort of.
My dad was a farmer, a laborer. He worked in the fields, worked with his hands. He completed high school, but then went to work. So during the work week my dad was a bald man. On Sunday and for special occasions (like pictures), my dad had a head of hair.
I well remember Sunday mornings growing up. My family getting ready to go to church. For Daddy that meant taking the toupe(e) out of the box. I remember that he would cut tiny pieces of white adhesive tape, loop them, set them on the oil stove we had (no furnace at that point) to warm. And the toupe(e) would sit there as well--to warm. He’d pluck the loops from the stove, arrange them on the inside of the hairpiece, and plunk it on his head. On for morning services. Off for lunch and the afternoon. On again for evening services.
Or for funerals, special occasions. On. A fashion accouterment as I think of it now. Like a hat. And for years, lots of real actual hats during the week (I should post another slideshow of my daddy with hats in his early years).
By the time I was in late childhood, my teens, the Sunday ritual was gone. My daddy was a very bald man. Grey hair with blackish highlights (I never saw the red). A tie and a suit on Sunday--that was the end of the dress up.
Those images of the loops of white adhesive tape on the stove in the living room on a Sunday morning. And the toupe by the side of those loops. An image in a child’s memory.
Monday, May 18, 2009
Wednesday, May 13, 2009
Books galore
I do have a problem. A garage in California full of books. A house in California full of books. All the brand new shelves I had in the house in Seattle--filling up with books.
How to manage what I know defines me in very real ways. But can get out of hand. Options I’ve discovered:
A pathetic story??
How to manage what I know defines me in very real ways. But can get out of hand. Options I’ve discovered:
- Libraries. Take too much planning. Never did these that successfully. At one point in time returned a car full of books to the library. And later found them all on the shelves. Do you know how hard it is to get books “deaccessioned” (is that how you spell it) from the University of Utah library.
- Books. I’ve talked to you about that. Filling up my house(s). And I had a basement full of shelves built to help manage the problem.
- Audiobooks. AAAAAAAAH. What a wonderful discovery (Audiobooks. . . . ) I love being read to. I can read while I drive, while I work, while I’m supposed to be reading, while I walk or run, while I hang out with Bev, while I go out to eat with Bev--you get the idea. No media. But not all books are available. And I still like to read (eyes on words).
- And now my latest vice. I bought a Kindle. Here’s the sad story. I’m listening to Little Dorrit (a fine Dickens novel brought to my mind again by a very good Masterpiece Classics adaptation). I always have trouble with that first chapter. What is going on? What in the world does this chapter have to do with the book? So I went to the walls of books on my shelves. And who knew. I had no copy of Little Dorrit. Wanting to solve the problem that minute I went to Amazon and bought a copy of the book. And then I saw the Kindle version--I could have gotten Little Dorrit for free or near it. What a world. I remembered a recent discussion with someone at work about how good the experience with Kindle is getting. The book I want to read right now--Sarah Waters’ Little Stranger is not yet available on audible.com. And it’s available--and cheaper--on Kindle’s amazon.com site. A click away.
A pathetic story??
Sunday, May 10, 2009
Holy Basil
Last summer when I was in India, I was talking with my co-workers about cooking and recipes. I asked, “Do you use basil in your cooking?”
Preran, one of the writers I work with, answered. “No we don’t use it for cooking. We worship it.” He went on to tell me that women have basil shrines as part of the household. Basil is apparently very good.
Anyway, later in the week Preran came with my husband and I on a weekend trip to Jaipur. While there, we went to a “historical Indian village” that locals visit. I thought of it as the Indian version of an “authentic frontier village” in the states. For the entry fee, you get a free authentic historical meal. And waiting for the meal, you can enjoy authentic entertainment (puppet shows, beautiful girls dancing with towers of pots on their heads, snake charmers. . . . .). You can play on the playground or take an elephant, horse, or camel ride. Or you can stroll around the recreations of various authentic historical buildings styles and periods.
As we strolled along, Preran stopped and pointed. “There! See! A basil shrine. But that isn’t basil. If the basil shrine contained basil, we’d have to stop and worship it.”
I loved India!
Preran, one of the writers I work with, answered. “No we don’t use it for cooking. We worship it.” He went on to tell me that women have basil shrines as part of the household. Basil is apparently very good.
Anyway, later in the week Preran came with my husband and I on a weekend trip to Jaipur. While there, we went to a “historical Indian village” that locals visit. I thought of it as the Indian version of an “authentic frontier village” in the states. For the entry fee, you get a free authentic historical meal. And waiting for the meal, you can enjoy authentic entertainment (puppet shows, beautiful girls dancing with towers of pots on their heads, snake charmers. . . . .). You can play on the playground or take an elephant, horse, or camel ride. Or you can stroll around the recreations of various authentic historical buildings styles and periods.
As we strolled along, Preran stopped and pointed. “There! See! A basil shrine. But that isn’t basil. If the basil shrine contained basil, we’d have to stop and worship it.”
I loved India!
Friday, May 01, 2009
Gardens
In Teton City, Idaho, where I grew up, everyone had a garden. The sign at the outskirts of town when I was a girl said: Population 350. The congregation of our church was larger than the population of the town. The standard lot in Teton was an acre. That gave you room for a house, a large lawn with flowers, a very big vegetable garden, and a pasture with barn for cows, chicken coop, pig pen, and maybe a shed for sheep--or a horse. (We also had a baseball diamond adequate to the game of “workup” and a very big swing.)
By the time I was growing up (the second round of kids in the family), it was clear my dad wasn’t going to continue full time as a farmer and our pasture and buildings in the back had seen better days, but did we have a garden. Rows and rows and rows of glorious vegetables--and berries (raspberries, strawberries). In the vegetable garden, rows of: beans, peas, corn, beets, carrots, lettuce, tomatoes, cucumbers, cabbages, potatoes, onions. Nothing fancy to be sure--no argula or herbs in sight. But lots of rhubarb to go with the strawberries. And plum trees and apple trees in the back (the only fruit that would grow in southeastern Idaho). We grew up “foundering” on the bounty of the garden (that was the word of my Mom). Glorying in each vegetable as it became available. Lettuce with sugar wrapped inside. Corn on the cob. New potatoes and peas. Strawberry and rhubarb pie. . . . . And canning the bounties that exceed our abilities to consume. The memories of that summer bounty coming to our table all winter.
Recently I found a notebook that my grandmother had kept, starting in the middle of WW2. A few entries about babies, children, war, illness. But then the notebook found the rhythm which continued well toward the end of the fifties and beyond (when I knew and loved my grandma well): Grandma carefully noted how many bushels of tomatoes, apricots, peaches, apples, pears she had grown or purchased and canned--how many quarts, how many pints. I remember my grandma’s “fruit room” and my mom’s.
As a young married in the still “hippie” Seattle of the early seventies, I planted a huge garden myself. And then tripled the size of that garden when I moved to Utah. I grew bushels of fruit, berries, vegetables. Canned them (and by then froze them). I call this my earth mother phase.
That phase ended some 30 years ago. Since then I’ve gone on to serial lives: student, editor, and now information architect at a computer company (and what in the world could that mean). But there is still a gardener inside me hoping for one final act.
The gardener has had a lean decade or two--patios and pots. And two small “1-foot gardens.” But now I’m making a final stand. Over the past few weeks, I’ve worked with a landscaper to create a garden plan for my back yard. Get rid of that grass. Plant native plans that will stay green and need little attention through the year. And give me room for my vegetables and berries. Next Thursday, the work begins. I’ve decided not to remodel my kitchen. Rather I’m remodeling my yard.
And he promises to have it completed in time to plant my vegetables. I checked last night that my wireless for the computer will reach back to the corner where my little table nook will go. So I’m hoping to unite the best of two worlds.
Hoping this is more than a dream. . . . .
By the time I was growing up (the second round of kids in the family), it was clear my dad wasn’t going to continue full time as a farmer and our pasture and buildings in the back had seen better days, but did we have a garden. Rows and rows and rows of glorious vegetables--and berries (raspberries, strawberries). In the vegetable garden, rows of: beans, peas, corn, beets, carrots, lettuce, tomatoes, cucumbers, cabbages, potatoes, onions. Nothing fancy to be sure--no argula or herbs in sight. But lots of rhubarb to go with the strawberries. And plum trees and apple trees in the back (the only fruit that would grow in southeastern Idaho). We grew up “foundering” on the bounty of the garden (that was the word of my Mom). Glorying in each vegetable as it became available. Lettuce with sugar wrapped inside. Corn on the cob. New potatoes and peas. Strawberry and rhubarb pie. . . . . And canning the bounties that exceed our abilities to consume. The memories of that summer bounty coming to our table all winter.
Recently I found a notebook that my grandmother had kept, starting in the middle of WW2. A few entries about babies, children, war, illness. But then the notebook found the rhythm which continued well toward the end of the fifties and beyond (when I knew and loved my grandma well): Grandma carefully noted how many bushels of tomatoes, apricots, peaches, apples, pears she had grown or purchased and canned--how many quarts, how many pints. I remember my grandma’s “fruit room” and my mom’s.
As a young married in the still “hippie” Seattle of the early seventies, I planted a huge garden myself. And then tripled the size of that garden when I moved to Utah. I grew bushels of fruit, berries, vegetables. Canned them (and by then froze them). I call this my earth mother phase.
That phase ended some 30 years ago. Since then I’ve gone on to serial lives: student, editor, and now information architect at a computer company (and what in the world could that mean). But there is still a gardener inside me hoping for one final act.
The gardener has had a lean decade or two--patios and pots. And two small “1-foot gardens.” But now I’m making a final stand. Over the past few weeks, I’ve worked with a landscaper to create a garden plan for my back yard. Get rid of that grass. Plant native plans that will stay green and need little attention through the year. And give me room for my vegetables and berries. Next Thursday, the work begins. I’ve decided not to remodel my kitchen. Rather I’m remodeling my yard.
And he promises to have it completed in time to plant my vegetables. I checked last night that my wireless for the computer will reach back to the corner where my little table nook will go. So I’m hoping to unite the best of two worlds.
Hoping this is more than a dream. . . . .
Tuesday, March 24, 2009
How I learned to love Dostoyevsky
I was even younger. Oh so far away. Southeastern Idaho. I went shopping at a bookstore in Rexburg, Idaho--near Ricks college. I found a book describing books. Brief descriptions and then a set of categories, each complete with an icon. One icon meant a “classic.” The other icon meant something like “mature, challenging.” I was 14 years old, about to be a sophomore at South Fremont High School.
I went through the book, making a list of the books that had both icons--classic plus challenging. And I began to read. One of the first: Dostoyevsky’s Crime and Punishment. Reading that book really did change my life. So weird. So much beyond my life: Mormon, rural, conservative, lower middle class (I didn’t know that then--but we didn’t have any money). I was mesmorized. Loved the book. Went on a Russian jag--in close order. The Brothers Karamazov, Anna Karenina, and a brave but unsuccessful run at War and Peace. I remember knocking at the door the The Red and the Black. Loved Steinbeck. It was such a mixed up amazing world of reading. So much beyond anything I had encountered before in books.
My real life at that point was encountering a radical kind of Mormonism--a crazy teacher who was actually a polygamist. But at the same time I was reading. No one could tell me I couldn’t read a book. It was my private magical world. Lady Chatterly’s lover. . . . . . You get the drift.
Reading was the way I found myself. And Crime and Punishment is at the very place where those paths that lead to who I am begin. . . . .
I went through the book, making a list of the books that had both icons--classic plus challenging. And I began to read. One of the first: Dostoyevsky’s Crime and Punishment. Reading that book really did change my life. So weird. So much beyond my life: Mormon, rural, conservative, lower middle class (I didn’t know that then--but we didn’t have any money). I was mesmorized. Loved the book. Went on a Russian jag--in close order. The Brothers Karamazov, Anna Karenina, and a brave but unsuccessful run at War and Peace. I remember knocking at the door the The Red and the Black. Loved Steinbeck. It was such a mixed up amazing world of reading. So much beyond anything I had encountered before in books.
My real life at that point was encountering a radical kind of Mormonism--a crazy teacher who was actually a polygamist. But at the same time I was reading. No one could tell me I couldn’t read a book. It was my private magical world. Lady Chatterly’s lover. . . . . . You get the drift.
Reading was the way I found myself. And Crime and Punishment is at the very place where those paths that lead to who I am begin. . . . .
How I learned to love Dickens
It was long ago and far away. I was a young, thirty-something (oh so long ago and far away). I was on a trip to Seattle with a friend. I succeeded in getting him to move to Seattle, become a tech writer, and eventually get me into the great tech world in the sky. But that is another story.
This story is about Dickens. We got on the train in Salt Lake City, waited for a very long time before the train finally left (I remember it as being in the middle of the night), and we headed toward Seattle. It was a leisurely pace. You could look out the window of the train and see cars buzzing by. And we stopped at every town, I’m sure, between Salt Lake City and Seattle. That means very many, many, many towns. We gave everyone in Utah, Idaho, Oregon, and Washington a chance to climb aboard our train or disembark (I think that’s what you do with a train).
As I said, a leisurely pace. I brought a book along: Charles Dicken’s A Mutual Friend. I settled down to read--a very, very, very big book. I read the first scene. Father and daughter on a boat, a dark filthy Thames, salvaging a body. I had such detailed visual images of the scene. (As I thought about this more, I realized I had watched a very good version of a Mutual Friend on Masterpiece Theatre.) In this case television was my friend. The flashes I saw, the images, almost the smells were so much more intense than my feeble imagination could have allowed.
So I settled into the book. You don’t press toward the ending in a 1000 page novel by Charles Dickens. You settle in, relax, enjoy, listen, let the emerging plot trails intermingle and twist in your head and heart. The train was perfect. I let go, settled in, relaxed. And the book took over, intermingled with the leisurely pace, the stops, the twists. . . . . .
I was hooked. This will always remain one of my most impressive experiences with a book.And an introduction to a writer I love. So many wonderful books to come. But I learned how to read and savor Dickens on a train with our mutual friend.
This story is about Dickens. We got on the train in Salt Lake City, waited for a very long time before the train finally left (I remember it as being in the middle of the night), and we headed toward Seattle. It was a leisurely pace. You could look out the window of the train and see cars buzzing by. And we stopped at every town, I’m sure, between Salt Lake City and Seattle. That means very many, many, many towns. We gave everyone in Utah, Idaho, Oregon, and Washington a chance to climb aboard our train or disembark (I think that’s what you do with a train).
As I said, a leisurely pace. I brought a book along: Charles Dicken’s A Mutual Friend. I settled down to read--a very, very, very big book. I read the first scene. Father and daughter on a boat, a dark filthy Thames, salvaging a body. I had such detailed visual images of the scene. (As I thought about this more, I realized I had watched a very good version of a Mutual Friend on Masterpiece Theatre.) In this case television was my friend. The flashes I saw, the images, almost the smells were so much more intense than my feeble imagination could have allowed.
So I settled into the book. You don’t press toward the ending in a 1000 page novel by Charles Dickens. You settle in, relax, enjoy, listen, let the emerging plot trails intermingle and twist in your head and heart. The train was perfect. I let go, settled in, relaxed. And the book took over, intermingled with the leisurely pace, the stops, the twists. . . . . .
I was hooked. This will always remain one of my most impressive experiences with a book.And an introduction to a writer I love. So many wonderful books to come. But I learned how to read and savor Dickens on a train with our mutual friend.
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